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Beauty Gone Bad

Friday, October 2, 2009 posted by fashionista

isobellacouchHere’s a unique perspective from our America’s Next Top Model guest video blogger, professional petite model Isobella Jade! Each week she’ll be sharing her insights about Cycle 13 with us here at BuddyTV from her vantage point as a pint-size model trying to make it in the industry.

By Isobella Jade

What do running and beauty have in common? Well, a lot, if you are on America’s Next Top Model. The mini-models of cycle 13 got a beating last night racing through Wal-Mart for the CoverGirl beauty challenge. Nigel and his beauty-wife Crissy Barker announced the challenge and prize of getting to be featured on CoverGirl’s page on Walmart.com and a $1000 gift card. The job: Race through Wal-Mart to different model-prep-stations, tank tops and jeans (did anyone else wonder how all of the girls fit in the same pair of jeans…were they all a size 0 or 2?), shoes (same thing, were the shoes all the same size?), beauty, and photography, in an attempt to prove the importance of hustling to get ready fast before a go-see or modeling casting.

The catch was that each station did not have enough items for each model, so the first runners that got to the station could continue on, and the rest got eliminated. They had three minutes to do their face, which makeup artist Sam Fine had sort of, but not really, prepared them for in a quick beauty session before the challenge.
At the end, the girls looked disheveled and exhausted from running and were judged on their appearance and makeup. Bianca, Erin (who pushed and shoved her way to the finish and had an issue with Ashley along the way), and Sundai stood in jeans and tank tops, waiting to be judged.

Sundai won, and I was very excited for our littlest girl to win the Beauty-Indy-400 around Wal-Mart.

Tyra Ruins the Beauty Shot for the Shorties
Then, the miniature models on America’s Next Top Model cycle 13 were wrapped in sheer scarves and prepared for a beauty shot. The concept intrigued me because a beauty shot is an important shot for a petite model to have. Beauty modeling is an area the short girl can capture, so I watched with curious eyes to see how Tyra would pull this off.

She started by being the photographer of the day.

So far the shots the models have had–re-enacting a childhood photo, on a horse, and with a bunch of metal–have not been that impressive. I think many of their shots, such as Laura’s with the baby doll in her hand, should eventually be cropped and turned into beauty shots.

Many times for an aspiring model, while in front of the camera it can be a challenge to produce that beauty shot straight on to the camera because it involves a certain confidence but also ease as you position the face. It takes focus to bring a calmness, but at the same time sternness, to your face. Often the beauty shots I have in my portfolio were originally full body or three quarter length shots that I later cropped. A beauty shot happens best when you internally know how your face feels when it is ready to be shot. Your eyes often guide the shoot more than the photographer during a beauty shoot, and when you face is ready for the shot, you feel it in your eyes.

I wish Tyra went into more detail about the difference between producing a beauty shot and a commercial print photo or fashion image. I also did not like the scarf concept, and thought it was not necessary to cover the girl’s faces with scarves for a beauty challenge.

Best beauty shot: Sundai (To me she had an amazing episode; the result of her photo shoot was one of the only shots that was just of the model’s face.)
Most creative with the scarf: Ashley

I don’t think Brittany should have won the photo shoot because her face was barely visible with the tan sheer scarf covering her face, which me doesn’t represent a quality beauty shot.

During the shoot Tyra had issues with Erin: not the way she modeled, but the personality she lacked during the shoot. When the camera was not clicking, Erin answered questions with her eyebrow as if her expressions could speak louder than her voice. Tyra stressed how Erin needed to work on her personality on set, and I agree. Models should bring not just their beauty and confidence to the set, but their personalities. They should be able to hold a conversation. It is also the model’s role to keep the shoot flowing, positive and fun. I have been on sets where the atmosphere was rude, harsh and hurried, and I brought that burst of energy, conversation and laughter that brought a lightness and enjoyment to the task we needed to get done. I also think creative people–those who are interested and understand art and design–are better models, since modeling is a visual job.

Tyra had issues with Ashley and blamed her for being so difficult, which was ridiculous because it was Tyra who was so flustered, not Ashley. I thought her first scarf looked fine; she didn’t need to be changed 3 times. Sometimes on shoots things do change. Models should try not to smudge their makeup during changes, and keep a positive spirit no matter what the voices are saying about how bad that outfit or styling looks. But this was an example of a stressed, annoying photographer.

Carolina Herrera Spring clothes collection

Tuesday, September 15, 2009 posted by fashionista

carolina-herrera-spring-summer-2009-collectionThe new summer suit  Carolina Herrera on Monday. Herrera’s collection had an organic sensibility and was free of any strict theme. Working in a palette of ivory, amber, redwood, rose and caramel, she focused instead on workmanship.

An ivory fils coupe, or cut thread, raffia blouse had the coarse look of handmade paper, cinched with a redwood leather rope belt over a pencil skirt in a tile-like Jacquard. And a draped front, rose-colored fils coupe chiffon cocktail dress fell in shiny rivulets. Even a brown and silver brush-stroke Jacquard tea-length dress appeared to have texture.

Celebrities shops for New York Fashion Week

Saturday, September 12, 2009 posted by fashionista

fasVictoria Beckham, Rihanna, Gwen Stefani,  Charlize Theron and Sarah Jessica Parker,the celebrities took to the stores of the Big Apple after Vogue magazine editor Anna Wintour called on shoppers to help kickstart New York Fashion Week and spend, spend, spend.

Hundreds of clothing stores extended their opening hours to take part in the fashion extravaganza, which saw Stefani make an appearance at upmarket department store Bloomingdales, Theron at Christian Dior, and Lindsay Lohan at Emanuel Ungaro, the label at which she was this week named style consultant.

Rihanna was seen shopping at Intermix in the SoHo district, while Beckham showed her support at Bergdorf Goodman and Parker joined forces with couturier Oscar de la Renta at his boutique.

Wintour herself teamed up with Hollywood actress Kate Hudson, designers Diane von Furstenberg and Michael Kors, and New York Mayor Michael Bloomberg to bring a touch of glamour to the borough of Queens with an appearance at Macy’s.

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glamorous face at New York Fashion Week

Friday, September 11, 2009 posted by fashionista

FASHION L.A.M.B. SPRING 2010Shoppers crammed into stores for Fashion’s Night Out, an event dreamed up by Vogue Editor Anna Wintour that featured celebrities, designers and glitterati mingling with customers.

At Bergdorf Goodman, elevators were clogged and the restaurant filled to capacity for a cook-off with designers including Cynthia Rowley and Peter Som, hosted by Padma Lakshmi of “Top Chef.” Cocktails and hors d’ouerves in the lobby seemed to appease the crowd.

Later, the Olsen twins were to tend bar while Victoria Beckham signed T-shirts and Zac Posen painted dresses in the windows. Justin Timberlake was expected at Saks. Oscar de la Renta was to sing for his best customers. Wintour herself appeared at a Macy’s in — gasp — Queens, introduced by actress Kate Hudson.

Jessica Evans was among those who crammed in to the cook-off — some standing on leather banquettes trying to get a glimpse.

“I haven’t had her tomatoes, but I love Cynthia Rowley,” said Evans, 27, who came for that event and to see the Olsen twins, who were scheduled to tend bar.

Shopping, though, wasn’t on the schedule: “Tonight is a browsing night. It’s a little too crazy, but I will come back.”

There was some glamour on the runways, too, at Mercedes-Benz Fashion Week, which runs through Sept. 17. It was a departure from the tough look in stores for fall — and perhaps a signal that the fashion industry is trying a softer approach to tough economic times.

BCBG

It’s all about dresses for BCBG Max Azria: There was a nary a pair of pants on the runway.

But there was enough variety in the silhouettes to make it feel like a comprehensive lineup of clothes for the new season, with styles ranging from a loosely tacked white T-shirt to a mesh, abstract, floral-print bandage gown.

Starlets in the front row, including Amanda Bynes and Theodora and Alexandra Richards, nodded approvingly as some of the nightclub-worthy dresses made it down the catwalk.

There was something artful in the draping and a lightness in the fabrics that evoked both ease and sexiness while not being overly simplistic. A gray jersey dress with handkerchief hem, for example, had subtle quilting on the straps, and a patch of printed fabric on a light taupe asymmetrical dress was reminiscent of python skin.

All the dresses were paired with teetering, leather wrap-up sandals that were toned down and made more sophisticated than the gladiator style popular last summer.

LAMB

Gwen Stefani is rocking the ’80s well into 2010, presenting a LAMB collection that included off-the-shoulder “Flashdance” tops and acid-wash jeans.

There was a punk vibe to some of the spring season outfits, including studded suspenders attached to the skinniest of skinny black jeans and racy lace tights worn only with a body suit.

However, an animal-print T-shirt dress and a plaid blanket top would be wearable for far more shoppers.

With her street cred as a bona fide rock star and a solid reputation in the fashion world, Stefani can pull off balloon shorts and a one-shoulder T-shirt in a way that many other designers can’t.

PORTS 1961

Ports 1961 took a nature walk, presenting a spring collection of drapey but womanly pieces in seashore colors like coral, sand, white pearl and gray.

In fact, aside from one or two pieces, the starkest color was on the models’ eyelids: red.

Creative director Tia Cibani included lots of dresses — sheath, kimono-like, bandeau and jersey draped, and it was clear some of her influence came from the Orient.

One sheath dress was paired with a matching “cloud” (ivory colored) coat. A chainmail cardigan sleeveless sweater vest was worn over a draped jersey dress. And outerwear pieces, such as a marble colored print satin Kimono with flowy sleeves, were wrapped around the body, like a cocoon.

JENNI KAYNE

Designer Jenni Kayne isn’t expecting customers to let their diets go over the winter months, considering her spring collection is tight, sleek and sometimes belly baring.

The outfits she previewed Wednesday were heavy on leather, not typical for warm-weather clothes. But the buttery texture of one cream-colored sheath dress made a strong case.

Kayne looked back to both the 1980s and ’90s for inspiration. “I call it `naive sportswear toughens up.’”

There’s no separation in her collection between daytime pieces and eveningwear, she said, because she believes that people “should have the chance to wear the heck out of the clothes.” That said, it’s up to the wearer to decide when to wear the menswear-style collared striped shirts and the skimpy silver sequin T-shirt dress.

MICHAEL ANGEL

Michael Angel seems cautiously optimistic about the economy for next spring. His collection had bits of bright color and glitz — more than most fall styles in stores now — but it was all still rooted in black.

The nod to flamboyancy was most obvious in his prints, which were oversized photo images of gems and jewelry. Presumably, the gist is: Instead of wearing expensive jewelry next season, you’ll be wearing pictures of it.

But the aspiration to be glamorous was clear in the clothes. A green print dress with chunks of gold embellishment around the neck and a floral pleated blouse paired with a petal-style black miniskirt, were noteworthy. For the more daring customer, there was a short vinyl-like pleated bra top paired with that same miniskirt.

Fashion on Vogue

Saturday, September 5, 2009 posted by fashionista

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Anna Wintour is in charge – there is no other person who runs an industry quite the way Anna Wintour does

“She’s not the perfect manager or editor or mother or sister or daughter.”

Documentary maker RJ Cutler is talking about his latest subject, American Vogue’s editor Anna Wintour.

“But she is real. And that is what interested me,” he adds.

It is a description that may surprise fashion followers, such is Wintour’s impenetrable image.

But according to Cutler, the editor was more than willing to allow a camera crew capture her world in The September Issue.

“When I went to her and said ‘I want to make a film about who you are, what you do and how you do it, that’s all I am interested in.’ She embraced it right away from our very first meeting.”

Viewers are left in no doubt just how powerful Wintour is in the world of fashion.

In one snippet the boss of an American department store chain asks her to encourage fashion houses to speed up their deliveries.

In another, a top label designer looks crest fallen when Wintour appears unimpressed by his latest collection.

“Anna Wintour is a heavy-weight, believe me,” says Cutler.

“There is a tendency to dismiss fashion as frivolous and light-weight but this is a big business and an important business… and Anna Wintour is in charge – there is no other person who runs an industry quite the way Anna Wintour does.”